urblr:

Panorama - Streets for people, Bull St and Pall Mall #Bendigo as crowd began gathering for the Easter Parade, what an atmosphere!

urblr:

Panorama - Streets for people, Bull St and Pall Mall #Bendigo as crowd began gathering for the Easter Parade, what an atmosphere!

Time for the nightly dip #portfairylyf #ritual #beach #beachbumlyf  (at Port Fairy Beach)

Time for the nightly dip #portfairylyf #ritual #beach #beachbumlyf (at Port Fairy Beach)

It’s always great spending time with this charming young fellow!  (at Port Fairy Lighthouse, Griffith Island)

It’s always great spending time with this charming young fellow! (at Port Fairy Lighthouse, Griffith Island)

Home sweet home #portfairylyf #beach #refreshed (at Port Fairy Beach)

Home sweet home #portfairylyf #beach #refreshed (at Port Fairy Beach)

newurbanismfilmfestival:

newurbanismfilmfestival:

mr-koo:

Streets as Places - Project for Public Spaces

Quotes and pics about urban planning!

Amen!

manifest05:

B018 in Beirut by Bernard Khoury in 1998. B018 is a music club on the site of the ‘Quarantaine’, a refugee quarter wiped out in an attack in January 1976. The project is built below ground -embedded in a concrete drum - to avoid the exposure of a mass that could be seen as a rhetorical monument. At rest, it is almost invisible. It comes to life in the late hours of the night when its articulated roof constructed in heavy metal retracts hydraulically, exposing the club to the world above.

Back in the 1980s while Lebanon was still amidst war, Naji Gebran believed in music as therapy to ease the stress of the war. He started organizing parties, under the name Musical Therapy, at his chalet. According to Bethan Ryder in his book, Bar and Club, parties were later code-named B 018 due to the chalet’s location 18 kilometers north of Beirut. Others have attributed the name, B 018, to the security, access-code number of the chalet. Another urban legend claimed that the number or the address of the chalet was B 018. In any case, the parties became so popular and overcrowded that in 1993, Naji moved them to a warehouse in an industrial area of Sin El Fil. The club was then officially Christened B 018.

In 1998, Bernard Khoury was hired to build a new home for B 018 at the Quarantaine, the neighborhood that witnessed some of the most horrific atrocities during the war. The plot of land where the club was built was believed to be the site of the former Palestinian camp. In his design, Khoury wanted to arouse bottled-up remembrances of the war and that was expressed in the club itself, which was sunk in the ground like a communal grave, and seats inside were shaped like coffins. The design of B 018 has been labeled as “war architecture”.The design included a circular iron plate that could be moved to cover the entire hypogeal night club at closing time so that from a bird’s-eye view, the club resembled a helicopter landing pad. During operation hours, the same covering plates could be lifted up, transforming the club into an open-air discotheque where revelers on the underground dance floor found themselves suddenly dancing under the starry sky of Beirut and their gyrating movements where reflected on the mirrored surfaces of the plates.

The club is one of Beirut’s most popular discothèques. It is often frequented by international celebrities such as Naomi Campbell. 

(via chengmish)

colognecouture:

become a part of the movement » Cologne Couture «

colognecouture:

become a part of the movement » Cologne Couture «



(via humanscalecities)

magictransistor:

The Sphinx: Giza, Egypt; circa 1850.

magictransistor:

The Sphinx: Giza, Egypt; circa 1850.

(Source: greatbuffalotradingpost, via citylifechange23)

f-l-e-u-r-d-e-l-y-s:

In a new project called “OMG, Who Stole My Ads?” French street artist Etienne Lavie makes it his mission to transform the ad space in Paris into an outdoor art gallery. He has been travelling around the city, snatching up posters and billboards, and replacing them with fine specimens of French art from an earlier era. If our senses have over-developed to the point where we need to be visually stimulated at all times outdoors, just to keep up continuity, then we might as well at least occasionally glimpse something that moves us—something we might elect to look at voluntarily. Lavie’s project gives that gift to a lucky subset of Parisian commuters.

(via citylifechange23)

landscape-a-design:

Project by: Margie Ruddick

Transforming the tangle of infrastructure at the gateway to New York’s Long Island City into a lush green corridor welcoming to pedestrians and bicyclists. For the New York City Department of City Planning and Economic Development Corporation. With Marpillero Pollak, Michael Singer Studio, Leni Schwendinger Light Projects, WRT

Marvellous Melbourne this morning #melbourne  (at Melbourne Town Hall)

Marvellous Melbourne this morning #melbourne (at Melbourne Town Hall)

Tags: melbourne

humanscalecities:

Jane Jacobs - Downtown is for People (Fortune Classic, 1958)
fuckyeahtownplanning:

lastreetsblog:

"Our national flower is the concrete clover leaf."

Can never resist a Mumford quote.

fuckyeahtownplanning:

lastreetsblog:

"Our national flower is the concrete clover leaf."

Can never resist a Mumford quote.

(via citylifechange23)

Giant driftwood on the beach at La Push, Washington (2010)

this made me feel really uneasy, the ocean is terrifying.

(Source: likeafieldmouse, via goingurban)